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Movie Review Fury

by Justin Hall
written by Justin Hall

Fury is a World War II movie that provides a sense of intense, visceral violence and a semblance of authenticity that probably hasn’t been seen since Saving Private Ryan. I think this movie could be for WWII what Platoon was for Vietnam.

Brad Pitt stars as Wardaddy, a hard-boiled, aggressive Army sergeant who leads a group of men into Nazi-occupied Germany to hunt down and destroy their enemy in the closing month of the war. No, this is not Inglourious Basterds 2. Gone is the cheesy Southern accent Pitt displayed in that movie. Instead, we’re treated to a series of battle sequences that are unflinching and unrelenting once they get started with Pitt and co. taking no prisoners.

In one of his best performances in recent memory, Shia LaBeouf costars as Bible, a soldier given that moniker due to his religious beliefs. Other members of the squad include Michael Pena’s Gordo and Logan Lerman’s Norman whom the group nicknames “Machine.”

Regarding the other elements in the film, there are several moments in which the characters are given time to establish who they are and where they’ve been. That’s true for each actor involved and one of the most effective scenes involves the soldiers entering a war-torn town and having breakfast with two girls who are cousins.

Fury was written and directed by David Ayer who has a notch for crafting hard-edged filmmaking including Training Day and End of Watch. However, this movie is about much more than war. It’s also about how war affects everyone who goes through it and the steadfast determination to survive inflatable games.

The look of this movie is authentic in every sense. We get everything from darkened skies to bombed out cities to action sequences that might go too far with its violence, but still gives an uncompromising impact.

Unlike The Monuments Men which opened earlier this year, this movie finds a tremendous balance with unexpected humor in the middle of its chaos. It gives us characters that we like and it proves it’s about more than just sound, and well, fury.

Grade: A-

(Rated R for strong sequences of war violence, some grisly images, and language throughout.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

Fury Movie Review

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Movie Review The Judge

by Justin Hall
written by Justin Hall

The Judge

Ladies and Gentlemen of the jury, The Judge is a fine example of a movie that features a likeable cast and it’s solidly made throughout, but it ultimately falls short of its more loftier ambitions.

It stars Robert Downey Jr. as Hank Palmer, a successful lawyer living in Chicago who gets news of his mother’s death. This forces Hank to return to his home of Carlinville, Indiana to attend the funeral. While he’s there, he’s reunited with his estranged father, Judge Joseph Palmer (Robert Duvall).

Things go from bad to worse when Joseph is accused of murder and it’s up to his hotshot attorney son to help establish his innocence. The only thing standing in the way of clearing the good judge’s name is each other.

Billy Bob Thornton costars in a very good performance as the prosecuting attorney who wants to put Duvall away for life. Between this role and Tyler Perry’s in Gone Girl, it’s looking like a comeback year for law in film.

Objection! In the middle of defending his father, Downey is also revisited by his old flame (Vera Farmiga). She’s interested in rekindling the passion that was their long lost love.

These performances and this production deserve a better movie. All the principle actors handle their roles with skill and competency, but it also fails a creating a consistent tone. It has several unexpectedly funny moments, but then they’re broken up by the somberness of the case and repetitive clichés about how Duvall and Downey never bonded as father and son.

I did like a scene early in the film where Downey is confronting a group of rednecks in a bar by automatically determining what crimes they committed in the past just by looking at their scars and demeanors on their faces. I wonder how well he would’ve done during O.J. Simpson’s trial.
The Judge is a film that has honorable intentions, but its tone doesn’t work enough to carry it through and make us care about it like we should. I hereby sentence the audience intended for this film to go give Gone Girl a second viewing.inflatable lake slide
Grade: B-

(Rated R for language including sexual references.)
Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

Movie Review The Judge

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Movie Review Gone Girl

by Justin Hall
written by Justin Hall

Gone Girl

In my personal opinion, Ben Affleck only has three really good movies on his resume: Good Will Hunting, The Town, and Argo. Well, now he can add a fourth to that list in the form of Gone Girl. Based on the novel by Gillian Flynn, this is an adaptation that has been eagerly awaited and I can honestly say that fans of the book will not be disappointed.

This is a masterful work that combines the best talents of director David Fincher, extraordinary performances from Ben Affleck and a well-rounded supporting cast, and a story that leaves us in suspense and disbelief right up until the very end.

Affleck plays Nick Dunne who’s searching for his missing wife Amy (Rosamund Pike). At first, it seems like the case is a mysterious disappearance, but then dark secrets start to emerge from their tumultuous past and it leaves everyone from the police to the media contemplating about Nick’s actions and reactions to the case.

Without his Madea persona, Tyler Perry turns in the first great performance of his career as Affleck’s lawyer who is bound and determined to help him get to the bottom of the case. Neil Patrick Harris costars as Amy’s former lover and there is a growing suspicion that he might be in on the scenario toddler bouncy castle.

The movie divides its time in the first half by providing a non-linear narrative by jumping back and forth between how Nick and Amy met and married and even some of those secrets are revealed as unexpected revelations.

At times, the narrative structure does seem to meander a little bit and some viewers will find its ending to be emotionally elusive and distant, but those are just minor shortcomings compared to the amazing direction of Fincher, the spectacular cast giving us some career-best work, and a meticulously detailed screenplay filled with exceptional writing filled with quiet and solid moments.

“They love me, they hate me, they hate me, they love me,” Affleck quotes at one point. Well, right now, Mr. Affleck, we love you and hopefully there’s another Oscar waiting in your future.

Grade: A

(Rated R for a scene of bloody violence, some strong sexual content/nudity, and language.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

Movie Review Gone Girl

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Movie Review The Equalizer

by Justin Hall
written by Justin Hall

The Equalizer

The Equalizer stars Denzel Washington in one of his edgiest roles to date in a movie based on the TV series from the ’80s. This version is one of those movies that simultaneously has a lot of heart and soul yet it’s very violent. Call it a guilty pleasure. Call it exploitative trash. Call it what you will, but it’s a lot of fun.equalizer story

Washington reteams with his Training Day director Antoine Fuqua and in it, he plays Robert McCall, a hardware store clerk and former Special Forces operative who seems to live a very mundane, round-the-clock existence. He befriends a young girl (Chloe Grace Moretz) who’s forced to work as a hooker for a local Russian crime lord. It doesn’t take long before McCall unleashes his inner Travis Bickle and turns vigilante on the criminals.

Soon McCall finds himself in a web of dangerous circumstances after attacking those gangsters and word of his exploits reaches all the way up to the crime lord (Marton Csokas). In the meantime, McCall continues to dispense justice for everyone around him and his methods involve using everything from a sledgehammer to a power drill. Needless to say, every employee who’s ever worked in a hardware store will be really proud of this movie.

The Equalizer is like a combination of some of Washington’s previous roles including Man on Fire and The Book of Eli. Like Liam Neeson, Washington is entering his 60s, but he’s only proving that age is just a state of mind.

I did like the fact that the movie does try to be as much character driven as it’s also a violent action thriller. Washington displays his charm and intensity in a likable fashion and he’s got a lot of support from an outstanding cast to back him up inflatable tent.

Until the predictable conclusion takes place, The Equalizer succeeds at being an occasionally implausible yet highly entertaining romp.

Grade: B+

Rated R for strong bloody violence and language throughout, including some sexual references.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

Movie Review The Equalizer

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Movie Review A Walk Among the Tombstones

by Justin Hall
written by Justin Hall

 

A Walk Among the Tombstones

Over the last few years, Liam Neeson has been doing the roles that I don’t think Harrison Ford is interested in doing anymore. He’s already done Taken and its sequel. Then he did Unknown and The Grey and more recently, he’s done Non-Stop. Now he’s back again with A Walk Among the Tombstones, which to me has ingredients of some of those movies put together.

Neeson stars as Matt Scudder, a former New York cop now turned unlicensed private investigator. He’s called on by a drug dealer who wants his help in the search for the killers of his wife. His investigation involves a slew of clichés that bear an evocative resemblance of the gritty tones of crime thrillers from the ’70s with a dash of an episode from “Law & Order: SVU.”
While in the pursuit of the killers, Scudder also stumbles upon a runaway kid (Brian “Astro” Bradley) who wants to help him out, but Scudder uses that age-old philosophy of “I work alone.” Giving Neeson a kid sidekick might seem like a bogus plot point, but somehow the chemistry works.

If trying to find the killers wasn’t bad enough, Neeson also has to contend with the disappearance of a missing girl and suddenly there’s a suspicion that there might be a connection between the two cases. He is not having a good week.

Writer-director Scott Frank has concocted a film that does combine terrific atmosphere and suspense with bits of humor peppered throughout to go with it. Neeson knows that he is self-consciously referring some of his previous roles and he gives a hint of that with some subtle winks, especially with some phone calls.

The only real complaint I have is that during its finale, it resorts to conventionality just when it’s becoming complex and intriguing. However, unlike Pierce Brosnan did in The November Man, Neeson sells it once again with his likable combination of physical ruggedness and a penchant for memorable monologues inflatable water park.

There’s nothing original about A Walk Among the Tombstones, but it’s skillfully made with solid performances and a brooding atmosphere at its center to hold it together.

Grade: B

(Rated R for strong violence, disturbing images, language, and brief nudity.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

Movie Review A Walk Among the Tombstones

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Movie Review Dolphin Tale 2

by Justin Hall
written by Justin Hall

The original Dolphin Tale was a surprise hit with both critics and audiences, but somehow I’m not sure how it was enough to justify a sequel. Nevertheless, here it is and while it suffers from repeat syndrome, it manages to charm its way through.

Morgan Freeman, Ashley Judd, and Harry Connick Jr. are back again helping rescue another dolphin and make it another exhibit at the Clearwater Marine Aquarium right alongside the beloved dolphin Winter with the prosthetic tale. This new one is called Hope and she’s exactly what the characters are looking for in order to snap Winter out of depression due to losing one too many dolphins to death.

Like Sin City 2, Dolphin Tale 2 is much more interested in revisiting what made the first movie so great rather than adding anything new. However, it does offer some beautiful underwater cinematography sequences and most of the time, it never feels cheesy or phony, despite some use of CGI.

Freeman, Judd, Connick, and the rest of the actors are actually given material in which they can do something with their characters instead of just standing around while having their intelligence insulted. I can say the same for this series. It’s sentimentalized without being sensationalized. (The movie is once again “inspired by true events”). It’s also clever and entertaining without becoming silly, ludicrous, or having to rely on ridiculous plot developments to carry it through.

The movie is mostly mild, safe, and predictable and will probably be considered a missed opportunity except for those who loved the first one. Nevertheless, it does hit the sweet spot just right.
Grade: B

(Rated PG for mild thematic elements.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

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Movie review The November Man

by Justin Hall
written by Justin Hall

JUSTIN HALL AT THE MOVIES

Movie review The November Man

The November Man

The November Man stars Pierce Brosnan returning to his spy thriller roots, though not exactly having the type of charisma he brought to James Bond. Instead, we’re treated to a competently made yet cliché-ridden film that will be a surprise if anybody remembers it in November.

Brosnan stars as Peter Devereaux, a retired CIA agent who’s back in the field, assigned to protect a witness (former Bond girl Olga Kurylenko) out of the hands of a dangerous organization. Along the way, he also faces competition in the form of his ex-protégé, (Luke Bracey).

Like I mentioned before, the movie recycles just about every single cliché in the Movie Cliché’s Book for Dummies: Brosnan loses someone he loves and swears revenge, certain individuals are not whom they claim to be, the witness uses seduction to take the terrorist, blah, blah, blah, etc., etc., etc.

You’re not going to see a lot in The November Man that you haven’t seen in a lot of other spy movies including Bond and the Bourne series. Plus, the routine of one retired spy duking it out with younger spies and defeating them in hand-to-hand combat can be seen coming from a mile away inflatable park.

The November Man is made with style and skill, but the fact that the script is loaded with clichés is its undoing. The cast is effective and Brosnan still has the moves, but this is something that seems like it’s recycled out of an episode of 24. Did I mention it’ll be a surprise if anyone remembers this movie by November?

Grade: C+

(Rated R for strong violence including a sexual assault, language, sexuality/nudity and brief drug use.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

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Movie review Sin City: A Dame to Kill For

by Justin Hall
written by Justin Hall

JUSTIN HALL AT THE MOVIES

Sin City: A Dame to Kill For is the long-awaited sequel to the graphically stylized hit from 2005. It’s been nine years, but all the blood, broads, and bullets are back in style and they’re delivering the same old, same old. Good news? Nothing has really changed. Bad news? See good news.

Just like the first movie, we’re getting three storylines that occasionally interconnect. One story features Jessica Alba’s Nancy looking to avenge the death of Bruce Willis’ Hartigan by taking down the corrupt senator Roark (Powers Boothe).

The second storyline involves Joseph Gordon-Levitt as a cocky gambler who gets in way over his head in a deadly game of poker with Senator Roark. Something tells me the character of Roark is in for one wild night.

he third and final story takes place years before one of the stories in the first movie as we meet a young Dwight McCarthy (Josh Brolin replacing Clive Owen). He’s a private investigator who’s caught up in an affair with his former lover (Eva Green). This is Green’s second time this year acting in a comic book adaptation after 300: Rise of an Empire and just like that sequel, she gives us another campy, seductive performance.

Directors Robert Rodriguez and Frank Miller once again bring their hyper realistic vision to the screen, but like a lot of sequels, Sin City seems merely content on revisiting the fun, gory visuals rather than building on them narratively.

Still, I have to say with all of its over-the-top violence and wicked sense of humor, I didn’t really expect anything different. In addition to the regulars like Willis and Alba, we also get the return of Mickey Rourke as Marv (having survived his grim execution), and newcomers to the series such as Ray Liotta, Christopher Lloyd, and a brief cameo by Lady Gaga.

Sin City: A Dame to Kill For provides the type of visual sensations and terrific performances to carry it through, but Sin City 3 may need Rodriguez and Miller to up the ante and no, I do not mean the body count.

Grade: B+

Rated R for sustained strong stylized violence, nudity and sexual content including dialogue.)

Until next time, Whie County, this is Justin Hall saying I’ll see you AT THE MOVIES!
Movie review Sin City: A Dame to Kill For

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Movie Review The Expendables 3

by Justin Hall
written by Justin Hall

JUSTIN HALL AT THE MOVIES

 

The Expendables 3 continues the franchise featuring all of the well-known action movie icons of the ’80s and ’90s in an attempt to recapture their glory days. I thought the first movie was average, the second movie was actually better-than-average, but the third movie falls by the wayside and like so many action movies, it gets shot at and blown up, but it never really dies.

Sylvester Stallone returns as Barney Ross, the head of the Expendables who’s back with his old comrades in another movie with the following: shootouts, explosions, one-liners, repeat. Joining him for this third installment are old-and-new school veterans including Jason Statham and Dolph Lundgren.

The first two movies gave us everyone from Chuck Norris to Stone Cold Steve Austin and just about every other action hero in between. This one gives us the likes of Antonio Banderas and Wesley Snipes who gives one of the few funny one-liners in the film when he’s asked why his character was in prison for so long. Snipes’ response: “Tax evasion.”

As for the plot (like it really matters), the Expendables go up against one of their former members. Perhaps one of the most awkward-sounding names ever for a villain, Mel Gibson stars as Conrad Stonebanks who’s now become a deadly arms dealer bent on world domination. Gibson tries to have his moments, but his charismatic presence is really underutilized.

In addition to Gibson, Banderas, and Snipes, The Expendables 3 also gives us a returning Arnold Schwarzenegger and Harrison Ford as both a replacement and an upgrade from Bruce Willis.

One of the best things I can say about the Expendables series is that every actor involved is in on the joke and knows when they are entering into preposterous territory. I imagine if Michael Bay was behind this, there wouldn’t be any kind of film at all.
However, this movie felt completely bankrupt for most of its time. One thing that might disappoint fans of the first two is the PG-13 rating whereas the first two were rated R. I would’ve preferred an R rating for this one, not for obvious reasons, but instead for keeping in the style and tone of what these movies are.

Other problems are that it’s bland and predictable with an inconsequential plot, repetitive action scenes, and dull one-liners that the guys think is a lot funnier than we do. Plus, none of these characters are really put into any kind of legitimate jeopardy. Nothing bad ever happens to any character unless the screenplay requires it.

his latest entry felt tired and I think there’s only so much coolness to be found in the notion of these Hollywood tough guys trying to relive their golden days. I think Stallone and company should take their retirement from this series and move on.

Grade: C

Movie Review The Expendables 3 (Rated PG-13 for violence including intense sustained gun battles and fight scenes and for language.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

This review is dedicated to the memory of Robin Williams.

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Movie Review Guardians of the Galaxy

by Justin Hall
written by Justin Hall

JUSTIN HALL AT THE MOVIES
On the surface, Guardians of the Galaxy may seem like a parody of the Marvel universe, but it actually succeeds as a stand-alone effort. For most of its time, it’s at once smart, hilarious, visually spectacular, and never forgets to have a heart.

It stars Chris Pratt as Peter Quill, a space pirate on a distant planet who comes into possession of a powerful orb. It isn’t long before every bounty hunter in the galaxy (no pun intended) is after him. He’s spared a doomed fate by a green-skinned alien named Gamora (Zoe Saldana). Together they are joined by another alien named Drax (WWE superstar Dave Bautista) and joining them is a tree-like humanoid named Groot (Vin Diesel) and a wise-cracking raccoon named Rocket (Bradley Cooper).

Altogether they team up to keep the orb safe from the forces of Ronan (Lee Pace) who wants to use it to, you guessed it, destroy the galaxy. What else would a good villain have use for a MacGuffin-like device?
Most characters in superhero movies are rarely memorable. They almost always have to say or do something idiotic in order to be remembered. However, that’s not the case with Guardians of the Galaxy. All of the characters get their moments where they can either be funny, exciting, or heartfelt. In terms of the humor, Cooper’s Rocket offers plenty of one-liners to rival Steven Seagal and Diesel’s Groot finds a charming combination of being childlike yet unsure about what he’s going to do.

Guardians of the Galaxy does drag on a little bit with its climax, but other than that, this is one highly entertaining movie that surpassed my expectations. Besides the terrific cast including the likes of John C. Reilly and Glenn Close, much of the credit has to go to director/cowriter James Gunn who’s put together a cross between Star Wars and The Avengers, though not nearly as original as either of those movies were.

In a weak summer movie season, this is certainly the way it should go out. This is an amazing start to what will hopefully be a great franchise.
Grade: A-
(Rated PG-13 for intense sequences of sci-fi violence and action, and for some language.)
Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

Movie Review Guardians of the Galaxy Click here

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Movie Review Hercules

by Justin Hall
written by Justin Hall
hercules copy

JUSTIN HALL AT THE MOVIES

Hercules is the second attempt this year to make another incarnation of the Greek warrior after The Legend of Hercules. For me, Hercules is like a lot of other characters in literature and mythology such as Dracula or Robin Hood that has been subjected to various cinematic interpretations. Everyone from Disney to Schwarzenegger has taken a stab at it. This latest effort mostly works due its commitment to goofiness being its biggest charm.

Dwayne “The Rock” Johnson is perfectly cast as the hulking half-man, half-god and this story tells of his life and journey after he performed his legendary 12 labors. He’s now hired as a mercenary and his services are called on by a king (John Hurt) to train his army and go into battle against an evil warlord. What the movie may lack in depth or realism, it makes up for with some impressive set pieces including an ambush sequence with some ferocious barbarians.

Some of the scenes look like they were stolen right out of Schwarzenegger’s own Conan series. Director Brett Ratner (The Rush Hour trilogy, Red Dragon) as well as Johnson himself has a sense of tongue-in-cheek throughout. Johnson knows for a fact that he’s winking at the camera during some scenes and he finds a good balance between being the action hero and also not taking himself too seriously. There’s something borderline campy and cheesy about this Hercules. The movie makes no apologies for that. The dialogue knows it’s silly.

The conclusion is predictable and the action sequences are standard CGI stretched out to infinity and beyond. Not to mention we get the likes of Joseph Fiennes and Ian McShane adding energy and humor where necessary. Having said that, I am recommending this movie on the basis of its campy spirit and Johnson always keeps the movie on its toes. I think it works in the tradition of dumb, fun summer movies. It does what it’s made to do: Be entertaining in the moment and not much else.

Grade: B (Rated PG-13 for epic battle sequences, violence, suggestive comments, brief strong language, and partial nudity.) Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

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Movie Review Transformers: Age of Extinction

by Justin Hall
written by Justin Hall
tranny1

Movie Review Transformers: Age of Extinction By Justin Hall
The original Transformers from 2007 was a pleasant surprise that was loud and preposterous, but extremely entertaining. The sequels that followed basically took the what made the original so much fun and turned it into spectacles that relied too much on overkill. This latest installment, Age of Extinction, left me hoping that director Michael Bay and his filmmaking crew had learned from their mistakes. They haven’t. This time, there’s no Shia LaBeouf driving the franchise, but Mark Wahlberg steps in as Cade Yeager, a widowed inventor from Texas raising his daughter. He finds a run-down truck that looks like junk and yet he hopes he can turn into it something great so he and his daughter don’t get evicted from their home. Luckily for Cade, this truck just happens to be Optimus Prime hiding out after the events of movie have warranted the Transformers as outlaws.

Soon afterwards, more and more Autobots return including Bumblebee and a few others that happen to have the voices of John Goodman and Ken Watanabe. Together, they face a new threat to humanity both on and off Earth in the form of a government agent (Kelsey Grammar) and some more new Deceptions arrive to find a key device that was responsible for the creation of the Transformers on their home planet. Or something like that.

Stanley Tucci costars as a billionaire inventor himself who wants to use the technology that created both races and make his own version of the Transformers. Hey, what better way to continue to send the franchise down the toilet than by making more? Ooh, that’s an interesting thought.

In the meantime, the war between the Transformers takes place halfway around the world, mostly in Asia and everywhere from Hong Kong to Beijing is left devastated in their path. After Godzilla, it looks Hollywood can’t quit its unrelenting assault on the Far East.

Transformers: Age of Extinction certainly supplies more of the same old thing that fans of the first three loved, but that’s also its Achilles ‘heel. The first movie came out of nowhere and its charms won us over due to its creativity in special effects. As for the sequels, including this latest one, well, let’s just say there’s so much we could’ve done without.

I will director Bay credit where credit is due. The special effects are sometimes impressive and occasionally inventive, but it’s more of the usual blowing up city buildings, blowing up boats, blowing up trains, etc., etc., etc. I don’t mind things that go “BOOM!,” but give me a story and characters that I can care about instead of humorless dialogue and action that looks good, but draws out far, far, far too long.

The movie is also bloated in its running time at 165 minutes, the longest movie yet. What did the filmmakers think they were making, Lawrence of Arabia? The rabid fans will line up again for this one and more sequels that will inevitably follow, but next time, Mr. Bay, lighten up on the pyro. This movie is appropriately titled, but I doubt its extinction won’t be on the horizon anytime soon.

Grade: C-

(Rated PG-13 for intense sequences of sci-fi violence and action, language, and brief innuendo.)

Until next time, White County, this is Justin Hall saying I’ll see you AT THE MOVIES!

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