When drum’n’bass grew stale in the 90s, it got a samba-splicing Brazilian twist. As that style returns, the scene’s legends and newcomers celebrate a cross-cultural triumph
Wagner Ribeiro de Souza wasn’t carrying much in his backpack. A local compilation of techno, house and jungle hits, a couple of news clippings and a VHS tape with footage from the club where he played weekly: small fragments of a music scene that he, under the moniker DJ Patife, and some friends were building in São Paulo, Brazil.
It was 1998. He had travelled to London to talk his way into the office of Movement, one of Britain’s most important drum’n’bass nights, with a single goal: pitching an edition of the party in Brazil. “I played that tape recorded at the club,” Patife remembers. “And when Bryan Gee saw like 2,000 people singing, he said: ‘Let’s go to Brazil right now!’”
